Jesse Jarnow

Hi! I’m Jesse. I’m a writer and a DJ on WFMU. The Frow Show airs live late-night every Monday from midnight to 3am on WFMU–91.1 in NYC, etc.–and wherever in time-space you are through the my playlist page. I’ve got a highlights reel of favorite articles and miscellaneous writing. This fall, I’ve been hosting a podcast called Alternate Routes, spotlighting independent music not available on Spotify and major streaming services.

You can follow along with whatever I’m currently doing by way of Twitter. I occasionally publish a more personal newsletter, dispatched judiciously, with book news, recent articles, Frow Show updates, links, and other ephemera. For the past few years on Twitter, I’ve been posting the results of a tape-by-tape Grateful Dead listening project, compiled starting here.

My new book, Wasn’t That a Time: The Weavers, the Blacklist, and the Battle for the American Soul came out on Election Day 2018 via Da Capo Press.

Heads: A Biography of Psychedelic America was published by Da Capo in 2016, and–as of September 2018–is available in the universe as a paperback. You can find out about all upcoming Heads events (and get psychedelic news and history) via the good ol’ @HeadsNews Twitter account.

Big Day Coming: Yo La Tengo and the Rise of Indie Rock came out in 2012 via Gotham Books. You can acquire it via Powell’s or other fine book purveyors. A Spanish translation by music journalist Ignacio Julià is available through Sones. I’ve posted lots of other YLT related material on this site, including Hanukkah notes and a reader’s guide to the book.

All episodes of the Frow Show are archived. I’ve written liner notes for the Grateful Dead, Numero Group, RVNG, Phish, Jäh Division, and others, and talk about that and related/unrelated topics in an interview I did with dead.net.

A few years ago, I helped assemble and wrote lots of notes for a DVD of my father’s animation, called Celestial Navigations: The Short Films of Al Jarnow, produced by the truly excellent humans at Numero Group, collecting the films he made for Sesame Street and elsewhere.

Some pieces I’ve done have been featured in collections. I’ve also done a bit of educational writing. There’s lots of material scattered around this site, mostly under the category headers on the right-hand column.

I play in a band. We have an album called Useless Smile. You can follow our adventures on Twitter, which is also where I’m at most of the time.

Some recent work:
Ryley Walker: Busted Stuff That Has Been Sung (Relix, 12/18)
Best of 2018, new music & more (Google Doc, 12/18)
The Golden Age of the Invisible Hit Parade (Wired, 11/18)
How Apple Created Music’s Best Device (And Then Ruined It) (Pitchfork video, 10/18)
The Ballad of Spike & Jerry: The Frequently Secret & Always Misbegotten Adventures of Bob Dylan & the Grateful Dead, 1971-2003 (Doom & Gloom From the Tomb, 8/18)
Ned Lagin, Seastones (Pitchfork, 7/18)
The Ghost of John Perry Barlow Lives in His Posthumous Memoir (Wired, 6/18)
Sarah Louise, Deeper Woods (Pitchfork, 5/18)
Jerry Garcia, Before the Dead (DownBeat, 5/18)
Brian Eno, Music For Installations (Pitchfork, 5/18)
Yo La Tengo: 5-10-15-20 (Pitchfork, 3/18)
Bob Weir and Phil Lesh Get Thrillingly Loose at New York Tour Openers (RollingStone.com, 3/18)
Sunwatchers, Sunwatchers II (Relix, 2/18)
Best of 2017, new music & more (Google Doc, 12/17)
13 Shows. No Repeats. Trey Anastasio on How Phish Pulled Off the Baker’s Dozen (plus outtakes) (New York Times, 8/17)